Oneohtrix Point Never - Although composer Daniel Lopatin’s R Plus Seven contains many familiar sonic touchstones for listeners who have followed the acclaimed electronic music composer’s development over the last half-decade, his Warp Records debut is a major departure from his previous work; Lopatin’s experimental inclinations lurk behind the scenes – in the concepts and procedures he adopted to create the tracks – while the music itself comes as close as Lopatin has ever gotten to anything resembling traditional song structure. Which, for Lopatin, is only so close: The work is full of overlapping, abstract musical through-lines, puzzle-like pieces that, taken together, might allow you to glimpse an overarching tableau. But it’s more about the journey than the destination. R Plus Seven is disruptive and hypnotic in equal measure, and the fun of it lies in trusting Lopatin as he guides you past – and often through – its succession of walls and mirrors.
Tim Hecker is a Canadian-based musician and sound artist, born in Vancouver. Since 1996, he has produced a range of audio works for Kranky, Alien8, Mille Plateaux, Room40, Force Inc, Staalplaat, and Fat Cat. His works have been described as “structured ambient”, “tectonic color plates” and “cathedral electronic music”. More to the point, he has focused on exploring the intersection of noise, dissonance and melody, fostering an approach to songcraft which is both physical and emotive. The New York Times has described his work as “foreboding, abstract pieces in which static and sub-bass rumbles open up around slow moving notes and chords, like fissures in the earth waiting to swallow them whole”. His Harmony in Ultraviolet received critical acclaim, including being recognized by Pitchfork as a top recording of 2006. Radio Amor was also recognized as a key recording of 2003 by Wire magazine. His work has also included commissions for contemporary dance, sound-art installations, minimal techo works under the name 'Jetone', as well as various writings.